Summertime, and the livin’ is easy


Its been a busy summer with local brocantes, markets and aperos with friends and all in beautiful weather, and its not over yet!

I have been loving my dog walks in the countryside from July when we had weeks of the fields bursting with sunflowers. In the sunshine the fields looked almost a fluorescent yellow, just stunning. In the morning the flowering buds and young blossom face the east and then track the sun. This is distinctive to sunflowers and called ‘heliotropism’.

Did you know, France is the fifth largest producer of sunflower oil (Ukraine being no.1). And sunflowers have additional uses aside from human consumption. They are able to remove toxins from the soil and in fact where used in the remediation of contaminated areas affected by nuclear disasters in Chernobyl and Fukushima. Sunflower seeds were even grown successfully on the International Space Station back in 2012, as part of a biological experiment by astronaut Don Pettit.

Sorry, let me move on from my obsession with sunflowers!

Late July, I spent a wonderful evening at a theatrical show ‘L’exode de Ardennais’ which was performed in the grounds of the Château de Javarzay in Chef Boutonne, Deux Sévres.

The show explored the different cultures, the solidarity, fears, mistrust, friendship and love of two families in the Mellois region. As during the Second World War, May 1940, there was a government directive to around 70,000 people in Ardennes, to flee the advancing German army and take refuge in the department of Deux Sévres. How would people from the industrial East be welcomed in the agricultural West?

A very moving and funny story. It was of course all in French but I managed to follow and understood about 50% of the language which was a pleasant surprise for me!

Then it was time for my city fix and a visit to Paris and another exhibition, this time at Le Louvre.

I had never been to Le musée du Louvre and could not believe the size but then it is the largest museum in the world! A far cry from when it opened in August 1793 with 537 paintings both royal and confiscated church property.

The iconic glass Pyramid designed by the late I.M. Pei, was inaugurated 29th March 1989 after four years work. It is a mini city and took us about twenty minutes to locate ´Louvre Couture’ and that was with Carolyn knowing the museum really well!

S/S 1949 Haute Couture – Christian Dior designed this hand embroidered gown, named ‘Musée du Louvre.

It was situated in the Richelieu wing, ‘Department of Decorative Arts` home to unique collections from Byzantium to the Second Empire.

(L to R – Christian Dior by John Galliano, Jean Paul Gaultier and Balenciaga)

It was the first time contemporary fashion pieces and accessories have been exhibited at Le Louvre. Exploring the interplay of design, fabrics, techniques with the history of art and culture, it sounded interesting.

S/S 2006 – Yohji Yamamoto. Wedding dress, white silk crepe.

If I’m honest some of the pieces ‘vanished’ in the many vast opulent rooms which was a shame. It wasn’t always easy to see the amount of detail.

(Top L to R – Yves Saint Laurent, Alexander McQueen, Fendi and Vivienne Westwood)

A/W 2023/4 – Balenciaga. 3D printed armour gown lined in a black flocked fabric so the model could wear without injury!

We both agreed it was still good and pleased we visited the exhibition

Walking around Paris was lovely and we could really notice the reduced traffic and with so many electric cars, positively quiet! After a late lunch, 18,000 steps, we returned back home to the countryside.

A couple of weeks ago, I drove to Aubeterre-sur-Dronne, two hours south on the border of South Charente and the Dordogne. Listed as one of France’s most beautiful villages. Of course, in August it is very touristy but well worth the visit.

Charming winding streets and passage ways with plenty of artisan shops to look around. It has welcomed pilgrims on their way to Santiago de Compostella in north west Spain and tourists for over 1000 years. The Place Trarieux is full of restaurants and cafes under the shade of trees with a relaxed French vibe! As it was 40C that day, it was one of two cool places to be.

The other being the underground monolithic church of Saint Jean. Carved into the cliff in the 7th century and enlarged by a community of Benedictine monks in the 12th century. The highest point is 20 meters. Tombs were discovered between 1958 and 1961 as it was believed burials were performed in the nave until 1865, this being halted for public health reasons. Up the stone carved stairs the view from the gallery really showed what a feat it had been to carve out such a structure. It is one of the most important such churches in France.

At the foot of the village the meadows lead to the River Dronne where you can find a beach, sports facilities and a campsite. But on such a hot day, I decided instead to have lunch and a huge iced coffee before walking back up a very steep hill to the car and thankfully air con!

Dolce & Gabbana` Du Cœur à la Main’ in Paris

I have wanted a day out in Paris since we moved to France, so when I saw the Dolce & Gabbana exhibition advertised, I had the perfect reason to finally book a trip. My friend, Carolyn, drove us to Poitiers station where we caught the fast train to Montparnasse, Paris. Door to door in under 3 hours! It was a really cold, bleak, grey day but I had forgotten how beautiful Paris really is and the atmosphere and architecture as we strolled through the streets. To own a Paris apartment with the obligatory balcony would be a dream!

The Grand Palais was the perfect venue for the` Du Cœur à la Main’ exhibition. We really did enter another world of opulence, magic and fantasy!

It’s 40 years ago since the first Dolce & Gabbana woman’s collection debuted at the Milan Fashion week after they met each other in 1982 while both working for an Italian fashion brand Giorgio Corregiari. Dolce & Gabbana’s iconic “Sicilian Dress” debuted in 1987. Based on a slip dress, this figure hugging timeless piece became a symbol of Dolce and Gabanna’s dedication to the female form. Different versions still feature in their collection and below is from S/S 2025.

In 2012, Dolce & Gabbana launched their Alta Moda line, a couture collection that brought their creative vision to unparalleled heights. Not just pure luxury but about celebrating Italian craftsmanship and artistry. These collections featured hand-painted fabrics, intricate embroidery, and designs that often drew from Italian history and folklore.

The Italian heritage was in abundance as we walked through the many themed rooms exhibiting over 200 couture pieces plus accessories devoted to Luchino Visconti’s The Leopard (1963), ancient Rome, opera, glassware and much more.

We entered the first room ‘Fait Main’.

To be able to view close up the couture collections of Domencio Dolce and Stefano Gabbanna was amazing and virtually impossible to capture in photos. Their exceptional inspiration, imagination and creativity and the intricate hand crafted pieces were exquisite. Their Sicilian backgrounds marrying tradition with innovation.

The ‘Architectural et Pictural’ room showcased hand painted silks. The atmosphere changed with moving images, ‘ live wallpaper’.

We felt guilty walking on the stunning hand painted ceramic tiles by the Bevilacqua brothers in the ‘traditions siciliennes’ room. Their work was dominated with bright yellow, intense blue, emerald green and deep black, representing the Sicilian sun, sea, hills and lava on Mount Etna.

How about one of a hundred exclusive Smeg fridges? And we couldn’t ignore the shoes and handbags!

We moved through to the ‘Rêve de divinités .’

The ‘Divines mosaïques’ room was incredible.

How about a mink sweater?

The ‘Baroque Blanc’ room felt calm and ethereal.

‘Ateliers, ornements et volumes’ room showed where art becomes fashion and a selection of black dresses currently being developed. For Dolce & Gabbana black is a key colour, the essence of purity for a woman and a traditional colour worn by working class women in Italy. One hundred and twenty people work on the creations at the Milan headquarters. Working with new technology but also reviving time honoured tradition such as cross stich embroidery.

‘The room ‘Dévotion’, was true and dramatic Dolce and Gabbana full of black lace and gold pieces.

Through ‘Le Guépard’ inspired room,

and then the world of ‘Opéra’

I have to say, my personal favourite was ‘l’art et savoir faire du verre’. Simply wow! Ornate crystal pieces embellished with flowers and mosaics in a room full of crystal chandeliers (I would think Murano), mirrors and background sound effects of breaking glass! Unapologetic excess.

Congratulations to the curator of the exhibition historian Florence Müller, as the attention to detail not just with the presentation of the pieces but to the atmosphere of each room was stunning. In a recent interview about the exhibition she said ‘What fascinated me was examining the clothes up close, observing all the intricate tailoring work and their sophisticated structure. Then, delving into the research on fabrics, colours, and embellishments that draw upon various crafts, from appliqué embroidery to glass embroidery.’

Refreshingly, Dolce and Gabbana have not sold their brand to the luxury conglomerates LVMH, Richemont etc. They own 40% each and the remaining 20% owned by the Dolce family. This ensures the brand stays true to its Italian roots.

Back outside and to the reality of the world, we wandered back to the station stopping for coffee and discussing our next fabulous trip to Paris.